The Georgian style, with its long history in America, is among our country’s most consistently popular styles. Admired for its symmetrical design, classic proportions, and decorative elements, it is commonly associated with the reigns of England’s King Georges, I through III. In reality, however, it is directly tied to the work of English architect Sir Christopher Wren. Unequivocally the dominant architectural trend in the colonies between 1700 and the Revolutionary War, Georgian’s popularity slowed dramatically as architectural tastes began to change with the establishment of the United States and the emergence of our American Federal style.
In the more prosperous northern cities of Boston, New York, and Philadelphia, early generations of Georgian buildings have generally been lost to development. The best remaining examples of original Georgian architecture are in such eastern seaboard cities as Annapolis and Williamsburg, where a less affluent economy helped protect them from demolition. One of the best examples of the Georgian style in Greater Washington, DC, is Gunston Hall on the banks of the Potomac River in what is now Lorton, Virginia. It was built for George Mason, one of this nation’s Founding Fathers, whose work greatly influenced the Constitution and its Bill of Rights. Mason moved into Gunston Hall in 1759.
Much of the inspiration for Gunston Hall came from pattern books brought over from England. These books were an early species of how-to manuals imported from Europe by colonial builders at a time when professional design advice was scarce. Such manuals played an enormous role in spreading the Georgian style throughout the colonies. Typically, pattern books focused on the design details for windows, doors, fireplaces, and molding elements, which were adopted or modified by the builder. With only a few professional-looking flourishes, colonial Americans could greatly enhance the appeal of their simple buildings. As the practice evolved, colonial builders gradually learned how to arrange and mass building forms as well.
The basic Georgian proportion was typically geometrical, with the main block of the building frequently augmented by hyphens and wings. The axial symmetry of this style will always be a safe design approach. However, this static configuration does not necessarily optimize the actual functioning of a home. The somewhat less symmetrical Federal style that followed was likely in response to this problem.
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The Georgian style utilized many of the hallmarks of Renaissance design, for example, rigid symmetry in building mass, in window and door placement, and even in the layout of interior rooms.
Not surprisingly, interpretations of the Georgian style tended to vary with locale. In northern states, it was common to use wood with clapboard or shingle cladding. Occasionally the corners of the building were decorated with wooden quoins to imitate stone. Sometimes stone and stucco were used instead of wood. In the South, Georgian houses were occasionally constructed of stone and stucco, but Georgian style usually meant brick. The brickwork occasionally incorporated a horizontal belt course between the first and second floors. A classic example of a Georgian with brick detail is Westover Plantation in Charles City County, Virginia. It is a house of exquisite proportions and detail built on the bank of the James River in Charles City County. Locally, a modest example of the style, built in the 1920s, is found at #10 Kalorama Circle NW.
A hip roof, sometimes with dormers, typifies the Georgian style. Because of Georgian’s relentless symmetry, a more asymmetrical gable roof would be noticeably inappropriate. The hip roof was popular with Christopher Wren, and therefore with all who admired and emulated his rules of design. When variations were sought, a roof would sometimes sport balustrades further embellished with decorative moldings and trim.
Double-hung sash windows, along with small panes, or lights, usually 12 over 12, or 9 over 9, were the standard variations, typically incorporated as a stylistic embellishment. Georgians built of wood often had decorative pediments over the windows, while brick Georgians had decorative brick headers above a window.
As a vehicle for decoration, entrances were often fitted with pediments, broken pediments, arched tops, and ogee caps. In the North, wooden pilasters often flanked the entrance, while in the South, doorways were typically enhanced with tasteful brick patterns.
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